All WEYDEN, Rogier van der Oil Paintings
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WEYDEN, Rogier van der The Descent from the Cross oil painting


The Descent from the Cross
Painting ID::  19327 		Artist: WEYDEN, Rogier van der
Painting: The Descent from the Cross
Introduction: panel painting, 1435, Museo del Prado at Madrid
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der The Annunciation oil painting


The Annunciation
Painting ID::  19333 		Artist: WEYDEN, Rogier van der
Painting: The Annunciation
Introduction: 1435, wood, Mus??e du Louvre, Paris
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der St. Luke Painting the Virgin Child oil painting


St. Luke Painting the Virgin Child
Painting ID::  19334 		Artist: WEYDEN, Rogier van der
Painting: St. Luke Painting the Virgin Child
Introduction: 1435, oil and tempera on panel, Museum of Fine Arts, Boston
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Christ Appearing to His Mother, approx oil painting


Christ Appearing to His Mother, approx
Painting ID::  19350 		Artist: WEYDEN, Rogier van der
Painting: Christ Appearing to His Mother, approx
Introduction: 1436, tempera and oil on wood, Metropolitan Museum of Art, New York.
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Portrait of a Man Holding a Book oil painting


Portrait of a Man Holding a Book
Painting ID::  19351 		Artist: WEYDEN, Rogier van der
Painting: Portrait of a Man Holding a Book
Introduction: before 1437, oil on wood, Courtauld Institute, London
   
   
     

 

 

 
 

 

 

 
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     Check All WEYDEN, Rogier van der's Paintings Here!
     Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion . Related Artists to WEYDEN, Rogier van der : | Pieter Jansz Saenredam | HERRERA, Francisco de, the Younger | PERRONNEAU, Jean-Baptiste | Andreas Achenbach | Aleksander Orlowski |

 

 

 
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